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Sony FR7 Cinema Line Full-Frame PTZ Robotic Camera with SELP28135G lens

$12,199.99
SKU:
SON-ILME-FR7K
Availability:
Out of Stock
Shipping:
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Manufacturer Part Number:
ILME-FR7K
  • Sony FR7 Cinema Line Full-Frame PTZ Robotic Camera with SELP28135G lens
  • Sony FR7 Cinema Line Full-Frame PTZ Robotic Camera with SELP28135G lens
  • Sony FR7 Cinema Line Full-Frame PTZ Robotic Camera with SELP28135G lens
  • Sony FR7 Cinema Line Full-Frame PTZ Robotic Camera with SELP28135G lens

Cinematography meets robotics

The FR7 provides smooth pan, tilt and zoom (PTZ) control coupled with a full-frame image sensor and compatibility with the high-quality E-mount lens line-up. A variety of focal lengths and shallow depth of field provide creative freedom and combine with remote PTZ control capability to open a new world of creative potential.

Innovative remote control

With a newly developed Web App that enables easy access via QR code or URL input, you can set up the FR7 from a tablet or a PC through a web browser1. You can also use the optional RM-IP5002 for precise joystick-controlled pan, tilt and zoom operation3.

Advanced technology for cinematic expression

Bearing the Cinema Line name, the FR7 incorporates key features that support cinematic expression. The FR7 features a back-illuminated 35 mm full-frame CMOS image sensor for the first time4 in a pan, tilt and zoom (PTZ) camera. Also the BIONZ XR™ contributes to superb image quality with high sensitivity, smooth gradations, and true-to-life color.

Limitless creativity with E-mount lenses

The FR7 features Sony's E-mount and can be used with all E-mount lenses5. These include the superlative G Master series, known for its stunning resolution and beautiful bokeh. A choice of focal lengths ranging from 12 mm to 1200 mm6 gives you comprehensive creative control.

Cinema Line image quality

The FR7's "Cinema Line" name identifies it as part of a renowned line-up of creative tools designed to unleash the true power of visual storytelling. It provides Custom and Cine EI modes that adjust camera operation to your workflow while maintaining consistency with other Cinema Line cameras.

A wide variety of lenses to deliver your vision

The FR7 features Sony's E-mount and can be used with all E-mount lenses5. These include the superlative G Master series, known for its stunning resolution and beautiful bokeh. A choice of focal lengths ranging from 12 mm to 1200 mm6 gives you comprehensive creative control.

Exquisite, impressive bokeh

Taking advantage of the camera's full-frame sensor and Sony’s extraordinary line-up of lenses, you can create expressive bokeh effects with a shallow depth of field – an impossibility with other PTZ cameras. Using a prime lens with an F1.2 large aperture will help achieve cinematic-style visual effects where the subject stands out from the background dramatically.

The advantages of Sony’s lenses for video shooting

The best camera deserves the best lenses. Discover four unique advantages in using Sony’s E-mount lenses for video shooting. The combination of Sony's lenses and the FR7 will enhance your video creation experience.

Lens support rods

Two lens rods provided below the camera head allow attachment of standard 15 mm rod mountable accessories.

Capture the scene from any angle

The FR7 incorporates smooth pan, tilt and zoom3 functionality that can be remotely controlled, or recalled to preset positions. The pan angle range is from -170° to +170°, and the tilt angle range is from -30° to +195° when used in normal upright orientation.

A full-featured dedicated Web App

With a new dedicated Web App, you can use a tablet or a computer's web browser1 to pan, tilt, zoom, focus, record, and adjust all camera settings. You can access cameras in hard-to-reach locations with easy setup using each camera’s unique QR code. The Web App uses the same menu format as the FX6 for intuitive operation.

Multi-camera shooting

The FR7 supports multi-camera production with just a small staff. It can be mounted on a tripod, on the ceiling, or in limited-access locations so that subjects can be unobtrusively followed and recorded from a range of viewpoints. A single RM-IP5002 remote control unit can be used for a setup of up to 100 FR7 cameras (10 groups of 10 cameras)12.

  • World’s first1 Full-frame interchangeable lens camera with pan/tilt/zoom (PTZ) functionality
  • Remotely controlled pan/tilt/zoom mechanism with up to 1002 camera presets
  • Compatible with 70 E-mount lenses ranging from 12mm to 1200mm3 including power zoom models
  • High sensitivity up to ISO 409,6006 and 15+ stop7 dynamic range, selectable 800 or 12800 base ISO
  • In-camera Slow & Quick motion from 1 fps up to 120 fps8 4K (QFHD) / 240 fps FHD
  • Fast Hybrid AF w/ 627 phase-detection AF points9 and Real time Eye-AF
  • Remotely controllable continuously variable electronic ND filter (1/4 to 1/128)
  • Custom and Cine EI mode shooting modes to match creative workflows
  • Professional connectivity – up to 12G SDI, HDMI A, XLR input, TC, GENLOCK
  • 4:2:2 10-bit10 XAVC-I (Intra), XAVC-L (Long GOP) and 16-bit RAW output11
  • S-CinetoneTM for rich cinematic images right out of the camera
  • Picture Profiles incl. HLG12, S-Log3 w/ S-Gamut3, S-Gamut3.Cine
  • Breathing Compensation suppresses unintended image shifts
  • Remote/multi camera shooting opens up a new world of expression
  • Up to 100 programmable quick access preset positions
  • 12G SDI BNC output/ HDMI type A video output
  • Optical output connector for low-loss transfer over long distances
  • XLR 5-pin 2 Channel audio input connector
  • Professional connectivity with TC input, GENLOCK and Option connectors
  • RTSP / NDI|HX / SRT IP streaming
  • Tally lights facilitate multi-camera operation
  • 2x card slots, both compatible w/ CFexpress Type A, SDXC UHS-I/II
Country of Origin Japan
Operating Temperature 32 °F to 104 °F
Storage Temperature -4 °F to +140 °F
Weight Approx. 6.0 kg(with SELP28135G LENS) Approx. 13 lb 3.6 oz(with SELP28135G LENS)
Dimensions (W x H x D)[[F_WI0001]] Approx. 227 x 289 x 233 mm(body without protrusions) Approx. 9 x 11 1/2 x 9 1/4 inch(body without protrusions)
Power Requirements PoE++(IEEE802.3bt Type 4 Class 8 compliant) 41.1 V~57.0 V
Power Consumption ≦71.3 W(PoE++)
Ceiling Mount Yes (with Ceiling Bracket option)
Tally Ramp Left(x1)/Right(x1), Red/Green
Recording Format (Video) [XAVC Intra] XAVC-I DCI4K 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264 XAVC-I DCI4K 50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264 XAVC-I DCI4K 29.97p mode:VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264 XAVC-I DCI4K 25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264 XAVC-I DCI4K 24p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264 XAVC-I DCI4K 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264 XAVC-I QFHD 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264 XAVC-I QFHD 50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264 XAVC-I QFHD 29.97p mode:VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264 XAVC-I QFHD 25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264 XAVC-I QFHD 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264 XAVC-I HD 59.94p mode:CBG, MAX bit rate 222 Mbps, MPEG-4 AVC/H.264 XAVC-I HD 50p mode:CBG, MAX bit rate 223 Mbps, MPEG-4 AVC/H.264 XAVC-I HD 29.97p mode:CBG, MAX bit rate 111 Mbps, MPEG-4 AVC/H.264 XAVC-I HD 25p mode:CBG, MAX bit rate 112 Mbps, MPEG-4 AVC/H.264 XAVC-I HD 23.98p mode:CBG, MAX bit rate 89 Mbps, MPEG-4 AVC/H.264 [XAVC Long] XAVC-L QFHD 29.97p/25p/23.98p mode:VBR, MAX bit rate 100 Mbps, MPEG-4 H.264/AVC XAVC-L QFHD 59.94p/50p mode:VBR, MAX bit rate 150 Mbps, MPEG-4 H.264/AVC XAVC-L HD 29.97p/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 50 Mbps, MPEG-4 H.264/AVC XAVC-L HD 29.97p/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 35 Mbps, MPEG-4 H.264/AVC
Recording Format (Audio) LPCM 24 bits, 48 kHz, 4 channels
Recording Frame Rate [XAVC Intra] XAVC-I DCI4K mode:4096 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p, 24p XAVC-I QFHD mode:3840 x 2160/59.94p, 50P, 29.97p, 23.98p, 25p XAVC-I HD mode:1920 x 1080/59.94p, 50p, 29.97p, 23.98p, 25p [XAVC Long] XAVC-L QFHD mode:3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p XAVC-L HD 50 mode:1920 x 1080/59.94p, 50p, 29.97p, 23.98p, 25p XAVC-L HD 35 mode:1920 x 1080/59.94p, 50p, 29.97p, 23.98p, 25p
Recording/Playback Time [XAVC Intra] XAVC-I DCI4K/QFHD 59.94p When using CEA-G160T (160 GB) Approx. 30 minutes When using CEA-G80T (80 GB) Approx. 15 minutes XAVC-I DCI4K/QFHD 50p When using CEA-G160T (160 GB) Approx. 36 minutes When using CEA-G80T (80 GB) Approx. 17 minutes XAVC-I DCI4K/QFHD 29.97p When using CEA-G160T (160 GB): Approx. 60 minutes When using CEA-G80T (80 GB) Approx. 29 minutes XAVC-I DCI4K/QFHD 25p When using CEA-G160T (160 GB): Approx. 71 minutes When using CEA-G80T (80 GB) Approx. 35 minutes XAVC-I DCI4K 24p When using CEA-G160T (160 GB): Approx. 74 minutes When using CEA-G80T (80 GB) Approx. 36 minutes XAVC-I DCI4K/QFHD 23.98p When using CEA-G160T (160 GB): Approx. 74 minutes When using CEA-G80T (80 GB) Approx. 36 minutes XAVC-I HD 59.94p When using CEA-G160T (160 GB): Approx. 78 minutes When using CEA-G80T (80 GB) Approx. 38 minutes XAVC-I HD 50p When using CEA-G160T (160 GB): Approx. 78 minutes When using CEA-G80T (80 GB) Approx. 38 minutes XAVC-I HD 29.97p When using CEA-G160T (160 GB): Approx. 150 minutes When using CEA-G80T (80 GB) Approx. 74 minutes XAVC-I HD 25p When using CEA-G160T (160 GB): Approx. 150 minutes When using CEA-G80T (80 GB) Approx. 74 minutes XAVC-I HD 23.98p When using CEA-G160T (160 GB): Approx. 185 minutes When using CEA-G80T (80 GB) Approx. 91 minutes [XAVC Long] XAVC-L QFHD 29.97p/25p/23.98p When using CEA-G160T (160 GB): Approx. 170 minutes When using CEA-G80T (80 GB) Approx. 86 minutes XAVC-L QFHD 59.94p/50p When using CEA-G160T (160 GB): Approx. 115 minutes When using CEA-G80T (80 GB) Approx. 57 minutes XAVC-L HD 50 /29.97p/25p/23.98p/59.94p/50p When using CEA-G160T (160 GB): Approx. 320 minutes When using CEA-G80T (80 GB) Approx. 155 minutes XAVC-L HD 35 29.97p/25p/23.98p/59.94p/50p When using CEA-G160T (160 GB): Approx. 430 minutes When using CEA-G80T (80 GB) Approx. 210 minutes
Recording Format (Proxy Audio) XAVC Proxy: AAC-LC, 128 kbps, 2 channels
Recording Format (Proxy Video) XAVC Proxy: AVC/H.264 High Profile 4:2:0 Long GOP, VBR 1920 x 1080, 9 Mbps
Shutter Speed 64 frame to 1/8000 sec
Built-In Optical Filters Clear, linear variable ND(1/4ND to 1/128ND)
Imaging Device (Type) 35mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor
Number of Pixels (total) Approx. 12.9 megapixels
Number of Pixels (Effective) Approx. 10.3 megapixels
ISO Sensitivity ISO 800/12800 (Cine EI mode, D55 Light source)
Focus Type Fast Hybrid AF (phase-detection AF / contrast-detection AF)
Focus Point 627 points
Focus Area Wide / Zone / Flexible Spot
Other Focus Features Real-time Tracking AF
Output Format / SDI 4096 x 2160 / 59.94p, 50p, 29.97p, 25p, 24p, 23.98p, 3840 x 2160 / 59.94p, 50p, 29.97p, 25p, 23.98p, 1920 x 1080 / 59.94p, 50p, 59.94i, 50i, 29.97p, 25p, 24p, 23.98p, 29.97PsF, 25PsF
Output Format / HDMI 4096 x 2160 / 59.94p, 50p, 29.97p, 25p, 24p, 23.98p, 3840 x 2160 / 59.94p, 50p, 29.97p, 25p, 23.98p, 1920 x 1080 / 59.94p, 50p, 59.94i, 50i, 29.97p, 25p, 24p, 23.98p, 720 x 480 / 59.94p, 720 x 576 / 50p
Clear Image Zoom QFHD/4K: 1.5x, HD: 2x
Slow and Quick Motion Function XAVC-I/L 3840 x 2160 1 to 60, 100, 120 frames (59.94/50/29.97/25/23.98) 1920 x 1080 1 to 60, 100, 120, 150, 180, 200, 240 frames (59.94/50/29.97/25/23.98)
White Balance Preset, Memory A(2000K-15000K)/ATW
Gain -3 to 30 dB (every 1dB), AGC
Gamma Curve SDR Mode :S-Cinetone, Standard, Still, ITU709 HDR mode : HLG_Live, HLG_Natural
Latitude 15+ stop
Pan/Tilt Angle Tilt: -30 deg. ~195 deg.
Preset Position 100
Quietness NC35 or less
Pan/Tilt Speed Tilt: 0.02 deg. to 60 deg./s
Network/IP Streaming Protocols IvP6 TCP, UDP, ICMPv6, HTTP, HTTPS, DHCPv6, DNS, mDNS, RTP/RTCP, RTSP, SRT, FTP, FTPS
Network/IP Streaming Protocols IPv4 TCP, UDP, ARP, ICMP, HTTP, HTTPS, DHCP, DNS, mDNS, RTP/RTCP, RTSP, VISCA over IP, SRT, NDI|HX, FTP, FTPS
Video Resolution 4096 x 2160, 3840 x 2160, 2048 x 1080, 1920 x 1080, 1280 x 720, 640 x 360
Compression Format H.264: High/Main/Baseline Profile H.265: Main/Main10 Profile
Maximum Frame Rate H.264: 59.94fps H.265: 59.94fps
Bitrate Control Mode CBR/VBR
Range of Bitrate Setting 512 Kbps~80 Mbps
NDI|HX capability Yes (Option)
Supported operating systems Windows 10 or later, macOS 10.15 or later, iPadOS 15 or later, Android 12 or later,
Supported web browsers Google Chrome, Safari
Screen Reader Yes (Language: English, Speed: 7 steps, Volume:15 steps)
Media Type CFexpress Type A / SD card (x2)
Audio Input XLR-type 5-pin (female) (x1), line/mic/mic +48 V selectable Mic Reference: -30 to -80 dBu
SDI Output BNC (x1), 12G-SDI, 6G-SDI, 3G-SDI(Level A/B), HD-SDI
HDMI Output Type-A connector(x1)
Genlock Input BNC (x1), 1.0 Vp-p, 75 Ω
Optical Output SFP+ compliant video is same as SDI, video output only
DC Input DC jack(x1)
Network RJ-45(LAN) (x1), 1000BASE-T
Remote Control RJ-45(OPTION) (x1) Red Tally IO/Green Tally IO
IR Remote Control Yes
TC Input/Output BNC (x1), TC IN only
Packaging Weight 20.77 lbs.
Packaging Dimensions 20.47” x 17.05” x 17.64” (520 x 270 x 300 mm)