BMD Pocket Cinema Camera 4K and Fujinon 18-55mm MFT Lens

The Blackmagic Design Pocket Cinema Camera 4K features a 4/3" sensor for capturing up to 4096 x 2160 DCI 4K images at rates up to 60 fps in a variety of codecs including Blackmagic Raw at several bit rates and various ProRes 422 options. Slow-motion rates up to 120 fps are available in cropped Full HD. Its Micro Four Thirds lens mount accommodates the original, lightweight Pocket Cinema Camera lenses, and can be used with PL, C, EF, and other lenses with the use of separately available adapters. A dual-native ISO up to 25,600 is featured for low-light capture, and 13 stops of dynamic range provide rich HDR images.

Record using the internal CFast 2.0 and SD/UHS-II card slots or employ the USB-C output for capturing longer clips to an external drive. The Pocket Cinema Camera 4K's 5" touchscreen LCD display reduces the need for an external, onboard monitor, while a full-sized HDMI port enables you to output a signal to a larger display. The menu and interface are the same as the ones found on the URSA Mini camera, and 3D LUTs can be applied for monitoring or for baking in your look when you're ready to commit.

Audio features include a mini-XLR input with phantom power for pro-style mics, a 3.5mm jack, and an internal stereo mic. Additional features include the same Blackmagic OS as the URSA Mini, and Bluetooth remote control. A license key for DaVinci Resolve Studio is included for versatile post-production control. The Pocket Cinema Camera 4K's carbon fiber composite build provides lightweight strength and durability, and power options include running off the included Canon LP-E6 type battery or the included power supply.

4/3" Image Sensor / Dual Native ISO

The Pocket Cinema Camera 4K uses a 4/3" sensor, 13 stops of dynamic range, and a dual native ISO up to 25,600 to capture rich images at resolutions up to DCI 4K.

Active Micro Four Thirds Lens Mount

Use lightweight, electronically-controlled MFT lenses, or use separately available adapters to expand your lens choices to include PL, C, or EF-mount lenses.

Blackmagic Raw and ProRes Options

Choose from Blackmagic Raw and ProRes 422 files options depending on your project's needs.

Shooting Resolutions

4096 x 2160 (DCI 4K), 3840 x 2160 (Ultra HD 4K), 1920 x 1080 (HD)

5" Touchscreen Display

A large 5" touchscreen display reduces the need for an external on-board monitor, while a full-sized HDMI port enables you to output a signal to a larger display on your video village.

CFast 2.0, SD/UHS-II, and USB Type-C Capture

Internally record to CFast 2.0 or SD/UHS-II card slots, or capture longer clips using the USB-C output to an external drive.

Flexible Power Options

The Pocket Cinema Camera 4K can be powered using a rechargeable Canon LP-E6 type battery or the included power supply.

DaVinci Resolve Studio

An activation key for DaVinci Resolve Studio is included with the camera.

The Fujinon MK18-55mm T2.9 Lens is a lightweight cine-style zoom lens for MFT mount cameras with a Super 35mm-sized sensor. It features a mechanical design with three independent lens control rings: focus, iris, and zoom. Each ring incorporates a cine-style gear with a 0.8 MOD for interfacing with standard cine-style lens accessories. The focus ring features approximately 200° of rotation, which provides room for precise focus pulls, and the iris is clickless, enabling smooth iris pulls. The lens also incorporates a macro mode for close focusing capabilities.

The lens is color matched to other Fujinon lenses such as the HK, ZK, and XK series, which enables smooth intercutting between lenses. The 85mm front thread enables use with many cine-style matte boxes via use of optional step-up rings (rings not included). The lens weighs only 2.16 pounds, which is fairly light for a cinema zoom that holds focus and aperture throughout the focal length range. It is designed for camera's with an MFT mount.

• T2.9 to T22 aperture with nine iris blades for attractive bokeh
• The 28.5mm diameter image circle covers the 3-perf Super 35 format with a 16:9 aspect ratio
• Industry standard 0.8 film pitch gears for focus, zoom, and iris control
• The gear rings positions for focus, zoom, and iris are located at the same position on lenses in the MK series, making switching between the zooms quick as you don't have to adjust the position of lens accessories
• Lenses in the MK series have the same weight and length so there is no need to rebalance your camera when you change from one lens to the other
• 200° focus barrel rotation
• No shims are required to adjust the flange focal distance as this lens has a built-in adjustment mechanism
• Macro focus function available