Atomos Ninja Assassin 4K HDMI Recording Monitor
- Calculated at Checkout
Ninja Assassin continues the Atomos smart production tool ethos and extends the legacy of of the Atomos Ninja line-up in to the realms of 4K UHD. The 7.1" 320 PPI SuperAtom IPS gives 6x more viewing real estate than DSLR and Mirrorless models. In an extremely light weight 410g package, the Assassin is a heavyweight of features and flexibility.
Unleash your cameras HDMI
The HDMI output is the key to unleashing your camera’s capability, maximizing video image quality by recording your footage directly from the camera’s sensor. We then record this pristine image to Hollywood quality Apple ProRes or Avid DNx codecs. The edit-ready video files created by Ninja Assassin are visually lossless with each frame being captured in full resolution, just like film!
Assassinate MPEG Poor Quality
Bypass the highly compressed internal MPEG / h.264 camera compression increasing color resolution (with 4:2:2 color sampling) and color accuracy with 10-bit color (1 Billions Colors) in all recordings.
4K Recording at HD Prices
Harness the power of 2.5" computer storage media, reducing cost and increasing capacity and reliability, making 4K the same cost as affordable HD today. 4K recording onto 1TB delivers an amazing 3 hours of ProRes 422 HQ @ 25 fps, and HD recording onto affordable HDD's, such as a 1TB delivers 10 hours of ProRes 422 HQ @ 25 fps. Atomos has teamed up with the major HDD and SSD companies in the world to ensure availability and reliability you know and trust.
Professional shot setup you can trust
Ninja Assassin provides a range of easy-to-use professional monitoring tools which include Focus Peaking, 1:1 & 2:1 Zoom with silky smooth image pan & scan, False Color (skin tones), and Zebra and Waveform/Vector Scopes for in-depth image analysis. Out of the box the display is color calibrated to REC709 standard, is capable of delivering 100% of sRGB, with 1080p resolution and over 320 pixels per square inch. Shot set-up with waveform and vectorscope means accurate color and white balance every time.
Simply Smarter Production
Ninja Assassin puts a wealth of smart production tools in your arsenal that's designed to allow you to:
- Go back in time with Pre-Roll - up to 8 seconds for HD or 2-3 seconds of 4K, so you’ll never miss that shot.
- Video time-lapse gives enormous creative license with up to 10 different sequences, speed ramp and scheduled start and end times over 24 hrs.
- Anamorphic de-squeeze - the perfect companion for Panasonic’s Anamorphic and affordable anamorphic lenses.
- 4K to HD down convert gives you all the benefits of 4K content with the ability to deliver to existing HD environments, including projectors, TV, and digital signage.
- 3DLUTs allow you to create a specific signature look or even recreate classic film stock instantly, with standard, 50/50, and 3D views. You can compare effects and make creative decisions on the fly.
- An additional 3.5mm analog audio input allows connectivity from analog mixers or microphones, locked frame accurately to your video.
Pipeline to your Timeline
Atomos increases the speed of your end-to-end workflow, allowing more time for creativity. Make edit decisions on-the-fly and in-review with a choice of 10 tags. You can start to mark clips while you record or in playback mode. You can even create a playlist of your favorite clips and instantly review the action with clients both on the Assassin, as well as out to a 4K or HD big screen TV/Monitor. Marked in-and-out points are carried right through to your edit into your favorite NLE. Whether you are Mac or PC, Apple, Avid or Adobe, we support you.
Ninja Assassin unleashes the potential of your camera by assassinating its limitations!
- Ninja Assassin Unit
- Soft Carry Case
- AC Adapter
- 1x Master Caddy II
- Red Ninja Assassin Protective Bumper
- Quick Start Guide
- 1 Year Warranty - 3 years upon Registration
|Without batteries & media||430g 14.5oz|
|With batteries & media||686g 24.2oz|
|Dimensions (W x H x D mm)||196 x 110 x 47mm, 7.7 x 4.3 x 1.85”|
|Construction||High-quality lightweight ABS Polycarbonate for durability & portability|
|Outer Protection||Included silicon bumper for drop and usage protection|
|Operating power||10 - 20W|
|Compatible batteries||Sony L Series (NP), D-Tap and Power Station|
|Input voltage (battery)||6.2V to 16.8V|
|Battery time (based on 7.4V)||5200mAh - up to 1.5hrs (monitor & record 4K)|
|7800mAh - up to 2.2hrs (monitor & record 4K)|
|DC In||1 x DC in (6.2 - 16.8V)|
|Continuous power * Patent pending||via optional Power Station|
|Resolution||1920 x 1200|
|Aspect ratio||16:9 native|
|Color standard||REC709 HDTV|
|Look up table (LUT) support||3D/1D LUT (monitoring & output, bake-in recording, 50/50 split screen view)|
|Technology||SuperAtom IPS panel (capacitive touch)|
|Calibration||Calibration in factory to Rec.709. In-field calibration with optional Atomos/Datacolor Spyder||Software download provided|
|HDMI||1 x HDMI (1.4b)|
|Signal||Uncompressed true 10-bit* or 8-bit to 10 bit 422 sampling||*camera output dependant|
|Video Output (play out)|
|HDMI||1 x HDMI (1.4b)|
|Signal||Uncompressed true 10-bit* or 8-bit to 10 bit 422 sampling*||*camera output dependant|
|Supported Frame Rates|
|HDMI to HDMI||HD - 720p 50/60, 1080i 50/60,|
|Full HD - 1080p 24/25/30/50/60/120*, 2160p 24/25/30||*camera output dependant|
|4K UHD - 2160p 24/25/30|
|Supported Codecs (Record & Playback)|
|4K-UHD 3840x2160 8/10-bit 4:2:2 to||Apple ProRes: HQ, 422, LT||DNxHR:HQX, HQ, SQ, LB|
|1920x1080 8/10-bit 4:2:2 to||10 Bit Apple ProRes: HQ, 422, LT||10 bit DNxHD: 220x,
8 bit DNxHD: 220, 145, 36
|1280x720 8/10-bit 4:2:2 to||10 Bit Apple ProRes: HQ, 422, LT||10 bit DNxHD: 220x,
8 bit DNxHD: 220, 145, 36
|Pulldown removal||1080pSF 24/25/30pSF > 24/25/30p (2:2 pulldown) 1080i 60 > 24p (3:2 pulldown)|
|4k UHD to HD down convert||Via HDMI loop-out, in record, and playback modes|
|Audio in/out (48kHz PCM audio)|
|HDMI||2 or 8ch 24-bit*||*camera output dependant|
|Analog Audio||Line-in / Headphone-out 2ch 48kHz 16-bit|
|Processing||Gain control on headphone and line-in|
|Audio Delay||Delay setting +1 to 99 Frames|
|HDMI||Auto HDMI Trigger|
|0||Supported Protocols - Canon, Sony, *Atomos Open Standard||*Atomos Open-Trigger standard supported by
Panasonic, Ikegami, JVC, Samsung
|Other||LANC control - Slave|
|HDMI Embedded Timecode|
|HDMI||Embedded Timecode from camera or video device*||*camera output dependant|
|0||Supported Protocols - Canon, Sony, Atomos Open Standard||Atomos Open-Trigger standard supported by
Panasonic, Ikegami, JVC, Samsung
|Pre Roll record||Yes (HD 8s, 4K 2s)|
|Custom time-lapse||Yes||Keyframable up to 10 video and single frame intervals. Can be triggered from internal clock.|
|Metadata tagging||Yes (10 internal tags available)||Favorite, Reject, Talent 1, Talent 2, Over EXP, Color, Bad Audio, Cut Away, Close Up, Wide Shot|
(Approved List Only)
|4K / HD (50/60/120p*)||*camera output dependant|
|0||CFast 2.0, 2.5" SSD and HDD (7200rpm up to 1080p60)||Sata III to Cfast 2.0 adapter required|
|Master caddy case||Master Caddy II (included) 75mm x 105mm x 12mm|
|Master caddy dock||2.5” SATA to USB 2.0/3.0 (optional accessory)||up to 450MB read/write|
|Supported applications||Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+|
|0||EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015|
|XML support||FCPX XML native, FCP7 supported with conversion (Adobe compatible)|
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